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The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost while in the forest. Our disbelief was correctly suppressed by a DYI aesthetic that interspersed reduced-quality video with 16mm testimonials, each giving validity to your nonfiction concept in their very own way.
Although the debut feature from the crafting-directing duo of David Charbonier and Justin Powell is so skillful, precise and well-acted that you’ll want to give the film a chance and stick with it, even through some deeply uncomfortable moments. And there are quite several of them.
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“After Life” never clarifies itself — on the contrary, it’s presented with the uninteresting matter-of-factness of another Monday morning within the office. Somewhere, in the silent limbo between this world and the next, there is really a spare but tranquil facility where the lifeless are interviewed about their lives.
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And still, on meeting a stubborn young boy whose mother has just died, our heroine can’t help but soften up and offer poor Josué (Vinícius de Oliveira) some help. The child jenna jameson is quick to offer his have judgments in return, as his gendered assumptions feed into the combative dynamic that flares up between these two strangers as they travel across Brazil in search of the boy’s father.
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